Acting Awards on the Actor’s Resume: Remove! / Add!

There are acting awards on an actor’s resume that merit the resume being trashed. There are of course acting awards of merit that matter on an actor’s resume. Which awards are of merit or trash bin bound?

awards_titled

Paul Russell www.PaulRussell.net
Paul Russell
http://www.PaulRussell.net

There are acting awards on an actor’s resume that merit the resume being trashed. There are of course acting awards of merit that matter on an actor’s resume. Which awards are of merit or are trash bin bound?

Recently, there was a heated debate on social media arguing BroadwayWorld awards to be or not to be included on an actor’s resume. Unless you’re a vain, insecure, attention-seeking-at-any-demerit actor: BroadwayWorld awards do not, (repeat) do not belong on an actor’s resume. They hold no merit. Why?

BroadwayWorld awards are beg-for-vote awards driven by actors on social media begging friends and family to vote for performances possibly never seen by the majority of voters. The awards are predominantly for regional theater of which most of the voters haven’t seen the productions. Many of the voters are not industry peers which are vetted for professional related experience. Casting and talent agents know this, as do directors. The inclusion of a beg-for-votes award holds no credibility other than we realize an actor creatively manipulates votes on social media to his or her benefit. And the priority purpose of online voting for actors? Money. The clicks on to BroadwayWorld or similar voting platforms generates review for the website.

If an actor must gain an award via an online poll or an online open voting system that actor devalues their worth as an artist. They’re pandering for votes from the poorly informed—not unlike how Donald Trump disingenuously Tweeted his way to “Hail to the Chief.”

U.S. Acting Awards that Belong (and command respect) on An Actor’s Resume:

Academy Award
Emmy
TONY
Golden Globe
Drama Desk
Drama League
Outer Critics Circle
Obie
Lucille Lortel
Grammy (Only for a spoken, solo recorded performance of a role.)

Regional U.S. Acting Awards that Belong (and command respect) on An Actor’s Resume:

Joseph Jefferson (Chicago)
Ovation (Los Angles)
Carbonell (Florida)
Helen Hayes (Wash, DC.)
Barrymore (Philadelphia)
Elliot Norton (Boston)
IRNE (New England / Boston)
Ivey Awards (Minneapolis – St. Paul)
Kevin Klein (St. Louis)

Awards of merit are ones in which professional peers as voters are screened and/or are accredited by a review panel. As example with the TONY awards: TONY voters are working Broadway professionals chosen through a stringent vetting process. Likewise with the acting awards that are noted here prior to be included on an actor’s resume. That professional peer review is why such award recognitions are respected over the “Vote for me anybody” BroadwayWorld-type awards.

Awards that include, or are predominantly recognizing, community theater companies (hello Ostrander and Perry awards) do not belong on a professional actor’s resume. High school acting awards are just as offending. I’ve been horrified at seeing high school “Best Actor” awards on the resumes of 30-something ‘professional’ actors. Next.

How to Place an Acting Award on an Actor’s Resume:

Using the Industry Standard Actor’s Resume (pg. 86 in ACTING: Make It Your Business – How to Avoid Mistakes & Achieve Success as a Working Actor) place award(s) as follows on these examples:

Which on a resume is this:

awards_resume_reduced

(The italicizing of the award—and the director—is for the eye to differentiate that additional information, and attract the eye to that information.)

Placing the award elsewhere on the resume (i.e. Special Skills, or Awards categories) may prompt the viewer of your resume to overlook your achievement. With the award placed directly under the credit the achievement is prominent to the viewer.

Beware of placing an * next to a credit to note there is more information to the credit. When there is an asterisk (especially for an award) the resume viewer

Paul Russell's Best-Selling Book for Actors!
Paul Russell’s
Best-Selling Book
for Actors!

must then search to where that * corresponds to elsewhere on the resume—don’t do this. An actor’s resume is not a game of hide-and-seek.

Just as awards of respectability are handed out judiciously, actors are to be judicious in the level of awards they honor their work with on their resume. Better to viewed as honored by peers than honored by polls.

.Paul Russell’s career as a casting director, director, acting teacher and former actor has spanned over thirty years. He has worked on projects for major film studios, television networks, and Broadway. Paul has taught the business of acting and audition technique at NYU and has taught master classes at dozens of acting programs at universities including Hofstra, Elon, Wright State University, and Rutgers. He is the author of ACTING: Make It Your Business – How to Avoid Mistakes and Achieve Success as a Working Actor. For more information on Paul’s projects, visit www.PaulRussell.net.

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Casting Directors, Talent Agents, Directors & Actors

Love Paul Russell’s Best-Selling Book for Actors
ACTING: Make It Your Business!

“Humorous and witty…
Actors everywhere who are trying to succeed in the business, young or old, on stage or on camera, anywhere in the world, take note:

This is your roadmap!”
BERNARD TELSEY, casting director – CSA
(The InternHamiltonNBC’s The Wiz – LIVE!, Wicked)
“All the right questions asked and answered…
and with a generous portion of good humor.”
SUZANNE RYAN, casting director, CSA
(Law & OrderUnforgettable)
“I love this book!
Paul’s book tells you what you don’t want to hear but really need to know
EVERY actor should read this book!”
DIANE RILEY, Senior Legit Talent Agent
Harden-Curtis & Associates
“Paul’s book made me proud to be a part of this community we call ‘show!'”
KAREN ZIEMBA, TONY & Drama Desk Award Winning Actress
“Paul Russell’s words are not only blunt & accurate they zero in on all the questions every actor wants to know but is afraid to ask!”
KEN MELAMED, Talent Agency Partner
Bret Adams, Ltd.
“I had my Business of Acting, BFA Seniors, class do book reports on a variety of “business of acting” books and ACTING: Make It Your Business came out a clear winner—considered to be essential for their bookshelves!
Dr. NINA LeNOIR,
Dept. Chair – Dept. of Thtr.
Chapman University

Get smarter on the business of acting from legendary Hollywood & Broadway actors and talent agents in a casting director Paul Russell’s Best-Selling Book ACTING:AMIYB_Amazon Make It Your Business!

Why LA LA LAND Fails Actors

An actor isn’t successful unless famous. A number of actors so starved for a portrayal of the profession, even false, will champion any story about actors even if it’s Wonder Bread, idealistic mythological tripe.

la-la-land

Paul Russell_HeadshotPaul Russell
PaulRussell.net

An actor isn’t successful unless famous. A musician isn’t successful unless they have a bountiful bank account. The anachronistic movie musical LA LA LAND, filmed as a late 1940s / early 1950s movie musical set in modern day, demonstrates how Hollywood perpetuates a mythical La La Land that doesn’t exist but insists to civilians, “This is how the entertainment industry really is.” No, it’s not.

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Young, generic actresses without an agent don’t get into first-rate auditions or are plucked from one-night showcase obscurity into fame as this film pretends is reality. But yet the film, like most 3rd rate Hollywood portrayals about Hollywood, relies on worn clichés as fact: Casting directors are distempered women. Directors are cold hearted. Young actresses are all white and from Small Town, U.S.A. Jazz musicians are predominantly black, but if white they’re moody. Actors would be truly happy if the love of their life gave up his dreams so I can achieve the success I desire.

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You’d think the actors, who daily seek a respect for their profession from family and detractors, would demand Hollywood rise to elevate the portrayal of the journeyman actor. No. On my Facebook feed I read of actors fawning over the failed-to-impress homage to the glamorous Rogers and Astaire movie musicals. A number of actors are so starved for a portrayal of the profession, even false, they will champion any story about actors even if it’s Wonder Bread, idealistic mythological tripe as is LA LA LAND.

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In the entertainment industry an actor doesn’t:

– Repeatedly get 1st class film auditions without having representation
– Have a 1st class casting director attend a one-night showcase that has no heat or audience

,

Even the portrayal of the Hollywood backlot is a fantasy too far cliché. A saloon set not worthy of a theme park. Actors kissing in a filmed scene, but then when the director calls “cut” the actors are bitterly fighting. And where are the actors or entertainment personnel of color? The swimming pool party scene is more West Chester than West Hollywood.

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If this is an homage to the classical Rogers and Astaire movie musicals that are the hallmark of cinema glamour of the 1940s, LA LA LAND fails in its unglamorous casting. Further disappointment comes during a promising opening number winking as a hallmark to movie musicals but then fails to drive the story as stalled drivers dance on a freeway. An opening number in a musical is to inform the audience of the story and expectations. In LA LA LAND the number “Another Day of Sun,” picked up from the cutting room floor, seems more like an exercise of instructing the audience that LA LA LAND is going to be a musical but, “We know it’s awkward for you to witness but bear with our indulgence. We’ll get to the storytelling shortly.”

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If a fantasy, which LA LA LAND pretends, then those within the entertainment industry–the journeymen actors who don’t require fame to consider themselves successful–should demand a dose of reality within the fictional portrayal of their profession. LA LA LAND perpetuates the myth that an actor isn’t an actor unless famous. They’re just a barista hoping to be discovered on a backlot, and any acting work they do that is not in the global spotlight is without merit. Move along. Next.

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Paul Russell’s career as a casting director, director, acting teacher and former actor has spanned over thirty years. He has worked on projects for major film studios, television networks, and Broadway. Paul has taught the business of acting and audition technique at NYU and has taught master classes at dozens of acting programs at universities including Hofstra, Elon, Wright State University, and Rutgers. He is the author of ACTING: Make It Your Business – How to Avoid Mistakes and Achieve Success as a Working Actor. For more information on Paul’s projects, please visit www.PaulRussell.net.

Share this:

Casting Directors, Talent Agents, Directors & Actors

Love Paul Russell’s Best-Selling Book for Actors
ACTING: Make It Your Business!

“Humorous and witty…
Actors everywhere who are trying to succeed in the business, young or old, on stage or on camera, anywhere in the world, take note:

This is your roadmap!”
BERNARD TELSEY, casting director – CSA
(The InternHamiltonNBC’s The Wiz – LIVE!, Wicked)
“All the right questions asked and answered…
and with a generous portion of good humor.”
SUZANNE RYAN, casting director, CSA
(Law & OrderUnforgettable)
“I love this book!
Paul’s book tells you what you don’t want to hear but really need to know
EVERY actor should read this book!”
DIANE RILEY, Senior Legit Talent Agent
Harden-Curtis & Associates
“Paul’s book made me proud to be a part of this community we call ‘show!'”
KAREN ZIEMBA, TONY & Drama Desk Award Winning Actress
“Paul Russell’s words are not only blunt & accurate they zero in on all the questions every actor wants to know but is afraid to ask!”
KEN MELAMED, Talent Agency Partner
Bret Adams, Ltd.
“I had my Business of Acting, BFA Seniors, class do book reports on a variety of “business of acting” books and ACTING: Make It Your Business came out a clear winner—considered to be essential for their bookshelves!
Dr. NINA LeNOIR,
Dept. Chair – Dept. of Thtr.
Chapman University

Get smarter on the business of acting from legendary Hollywood & Broadway actors and talent agents in a casting director Paul Russell’s Best-Selling Book ACTING:AMIYB_Amazon Make It Your Business!